So, as I had said earlier, there is more than meets the eye in this song. Here is an interpretation. SPB sings it in two different ways. If you notice the abhinayas of Kamal while depicting the first round, he depicts Parvati and Shiva and the second parvatipa rameshvarou, he depicts Vishnu. The song starts with a sloka. I am not very sure. The answer becomes clear as we proceed with the song.
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01 Salangai Oli BGM by Devi Raja Rajeshwari | Free Listening on SoundCloud
Meaning aside, euphonic rules in the morphemes and phonemes are important. More on the sloka at the end of this piece. July 10, at 9: Here is an interpretation.
I realize why the Music Director did what he did, but to me this easy salangai oli bgm could have made things sharper. Leave a Reply Cancel reply Enter your comment here Then there is an abrupt change to the raga hamsanandi.
So, the sandhi split seems intentional. SP Salanhai chimes in.
Salangai Oli / Sagara Sangamam BGM – Background Score Cover
Then the song returns to the pallavi in sriranjani again. Thus the song itself — a salutation to Shiva uses five ragas all devoid of the panchamam — pa — hence the title panchama varja panchamam. You are commenting using your WordPress. The m to n change makes it euphonic. The song naada vinodangal is a work of art. Notify me of new comments via email.
The answer becomes clear as we proceed with the song. As an example, even in English which is product of old Indo-European and Sanskrit roots we can see this salangai oli bgm action.
Email required Address never made public. So, as I had said earlier, there is more than meets the eye in this song. Fill in your details below or click an icon to log in: Then, the strings introduce Sriranjani the raga along with the tablas and the mridangams.
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By continuing to use this salangai oli bgm, you agree to their use. By and large it is a pentatonic, Sa ga ma dha komal ni komal sa. A decent amount of thought must have gone into its creation. You are commenting using your Twitter account. After all, anneya swaras in cinema bhashangams is both common and sxlangai accepted.
The natural sandhi is Parama and Eswarou not Pa and Rameshwarou. There is a lot packed into the song. If you notice the abhinayas of Kamal while depicting the first round, he depicts Parvati and Shiva and the second parvatipa rameshvarou, he depicts Vishnu.
Apologies for a long winded lecture. Maybe he did for musical reasons, but the proper sandhi split would also have worked musically. SPB sings it in two different ways. To find out more, including how to control cookies, see here: